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- KurzbeschreibungTwenty-five years ago, Edward Said's Orientalism spawned a generation of scholarship on the denigrating and dangerous mirage of "the East" in the Western colonial mind. But "the West" is the more dangerous mirage of our own time, Ian Buruma and Avishai Margalit argue, and the idea of "the West" in the minds of its self-proclaimed enemies remains largely unexamined and woefully misunderstood. Occidentalism is their groundbreaking investigation of the demonizing fantasies and stereotypes about the Western world that fuel such hatred in the hearts of others.
We generally understand "radical Islam" as a purely Islamic phenomenon, but Buruma and Margalit show that while the Islamic part of radical Islam certainly is, the radical part owes a primary debt of inheritance to the West. Whatever else they are, al Qaeda and its ilk are revolutionary anti-Western political movements, and Buruma and Margalit show us that the bogeyman of the West who stalks their thinking is the same one who has haunted the thoughts of many other revolutionary groups, going back to the early nineteenth century. In this genealogy of the components of the anti-Western worldview, the same oppositions appear again and again: the heroic revolutionary versus the timid, soft bourgeois; the rootless, deracinated cosmopolitan living in the Western city, cut off from the roots of a spiritually healthy society; the sterile Western mind, all reason and no soul; the machine society, controlled from the center by a cabal of insiders-often Jews-pulling the hidden levers of power versus an organically knit-together one, a society of "blood and soil." The anti-Western virus has found a ready host in the Islamic world for a number of legitimate reasons, they argue, but in no way does that make it an exclusively Islamic matter.
A work of extraordinary range and erudition, Occidentalism will permanently enlarge our collective frame of vision
- AutorAvishai Margalit,Ian Buruma
- VerlagPenguin Books Ltd
- Seiten165 Seiten
- Gewicht136 g
- LeseprobeIn July 1942, just six months after the Japanese bombed the American fleet in Pearl Harbor and overwhelmed the Western powers in Southeast Asia, a number of distinguished Japanese scholars and intellectuals gathered for a conference in Kyoto. Some were literati of the so-called Romantic group; others were philosophers of the Buddhist/ Hegelian Kyoto school. Their topic of discussion was how to "overcome the modern."
It was a time of nationalist zeal, and the intellectuals who attended the conference were all nationalists in one way or another; but oddly enough the war itself, in China, Hawaii, or Southeast Asia, was barely mentioned. At least one of the members, Hayashi Fusao, a former- Marxist-turned-ardent-nationalist, later wrote that the assault on the West had filled him with jubilation. Even though he was in freezing Manchuria when he heard the news, it felt as though dark clouds had lifted to reveal a clear summer sky. No doubt similar emotions came over many of his colleagues, but war propaganda was not the ostensible point of the conference. These men, the literary romantics as much as the philosophers, had been interested in overcoming the modern long before the attack on Pearl Harbor. Their conclusions, to the extent that they had enough coherence to be politically useful, lent themselves to propaganda for a new Asian order under Japanese leadership, but the intellectuals would have been horrified to be called propagandists. They were thinkers, not hacks.
"The modern" is in any case a slippery concept, but in Kyoto in 1942, as in Kabul or Karachi in 2001, it meant the West. But the West is almost as elusive as the modern. Japanese intellectuals had strong feelings about what they were up against, but had some difficulty defining exactly what that was. Westernization, one opined, was like a disease that had infected the Japanese spirit. The "modern thing," said another, was a "European thing." There was much talk about unhealthy specialization in knowledge, which had splintered the wholeness of Oriental spiritual culture. Science was to blame. And so were capitalism, and the absorption of modern technology, and individual freedoms, and democracy. All these had to be "overcome." A leading film critic, Tsumura Hideo, excoriated Hollywood movies and praised the documentary films of Leni Riefenstahl about Nazi rallies, which were more in tune with his ideas on how to forge a healthy national community. In his view, the war against the West was a war against the "poisonous materialist civilization" built on Jewish financial capitalist power
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