Meistverkauft in Fachbücher & Lernen
Hier sparen: Fachbücher & Lernen
- EUR 20,00Preistendenz: EUR 21,27
- EUR 1,00Preistendenz: EUR 1,02
- EUR 16,99Preistendenz: EUR 17,36
- EUR 49,00Preistendenz: EUR 50,10
- EUR 40,50Preistendenz: EUR 41,41
- EUR 19,90Preistendenz: EUR 20,73
- EUR 40,00Preistendenz: EUR 42,52
Über dieses Produkt
- SynopsisIn 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.
- AuthorRuth Tatlow
- Number Of Pages204 pages
- Publication Date1991-02-21
- PublisherCambridge University Press
- Publication Year19910000
- Copyright Date1991
- Weight16.7 Oz
- Height0.5 In.
- Width6 In.
- Length9 In.
- GroupScholarly & Professional
- LC Classification NumberML410.B1 T18 1990
- Dewey Decimal780.92
- Dewey Edition22
Table Of Content
- Table Of ContentList of illustrations; Acknowledgements; Introduction; 1. Friedrich Smend; 2. Number alphabets; 3. The poetical paragram; 4. A musical paragram?; 5. Links to Bach; Appendixes; Bibliography; Index.
- Reviews"... it is refreshing to see a scholar who is ready to remove Bach from the vacuum in which he is too often studied." Jeanne Swack, Notes,"Ruth Tatlow's book is not only one of the very few scientifically serious investigations into this overexploited subject area, but also the first ever critical analysis of Smend's number symbolical works and their premises." Christoph Wolff, Bach-Jahrbuch,"Tatlow shows with devastating clarity that from Luther's time to Bach's, the use of such numerical interpretation for Christian theological purposes was considered misguided at best, and heretical at worst." Daniel Melamed, Journal of the American Musicological Society,"Thanks to Dr Tatlow's researches, we now have a solid basis of fact for speculations as to the role of numerology, and in particular the number alphabet, in the music of Bach and his contemporaries." Malcolm Boyd, The Times Literary Supplement,'A miracle has come to pass: a book concerning Bach and number symbolism which is sensible, perceptive and scholarly.' John Butt, Music and Letters
Dieser Artikel gehört nicht auf diese Seite.
Vielen Dank. Wir kümmern uns darum.